Dollinger’s lyrical, slender baritone proves to be ideal for all “Lieben, Hassen, Hoffen, Zagen
01.11.2021
Dollinger’s lyrical, slender baritone proves to be ideal for all “Lieben, Hassen, Hoffen, Zagen
The likeable baritone Max Dollinger with the velvet voice.
Georges Bizet | “CARMEN” | Moralès |
“CARMEN” | Le Dancairo | |
Gaetano Donizetti | “DON PASQUALE” | Malatesta (dt., ital.) |
Georg Friedrich Händel | “GIULIO CESARE IN EGITTO” | Curio |
Erich Wolfgang Korngold | “DIE STUMME SERENADE” | Andrea Coclé* |
Wolfgang Amadeus Mozart | “DON GIOVANNI” | Masetto* |
“DON GIOVANNI” | Don Giovanni* | |
“DIE ZAUBERFLÖTE” | Papageno* | |
Sarah Nemtsov | “OPHELIA” (UA) | Horatio |
Giacomo Puccini | “GIANNI SCHICCHI” | Marco |
“LA BOHÈME” | Schaunard* | |
“TURANDOT” | PING | |
Pjotr Iljitsch Tschaikowski | “DIE JUNGFRAU VON ORLÉANS” | Lionel |
*studierte Partien
Ralph Benatzky | “IM WEISSEN RÖSSL” | Dr. Otto Siedler |
Franz Lehár | “DIE LUSTIGE WITWE” | Graf Danilo Danilowitsch* |
Carl Millöcker | “DER BETTELSTUDENT” | Oberst Ollendorf |
Johann Strauss | “DIE FLEDERMAUS” | Dr. Falke |
*studierte Partien
Howard Ashman | “DER KLEINE HORRORLADEN” | Dr. Orin Scrivello |
Jerry Bock | “ANATEVKA” | Mottel Kamzoil |
Frederick Loewe | “MY FAIR LADY” | Freddy Eynsford-Hill* |
Andrew Lloyd Webber | “EVITA” | Augustin Magaldi |
Stephen Sondheim | “SWEENEY TODD” | Anthony Hope |
*studied roles